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Two girls in front of Weeping Woman by Pablo Picasso - Picasso Century - National Gallery of Victoria (NGV), Melbourne, Australia - People and Art Photo Gallery - Struck by Light

Picasso Century at the NGV

I have seen a few exhibitions, been to a few fairly decent galleries and ‘Picasso Century’ was by far the best curation I have seen to date!

Yet, after seeing it a couple of times, I began to wonder why it was called the ‘Picasso Century’

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A pink sunray (everlasting) - with shallow depth of field - King's Park, Perth, Western Australia

Depth of field Determinants

What determines depth of field (DOF)? How can depth of field (DOF), be controlled while shooting in the field or studio? Though there are many resources on the web listing and explaining the factors that control DOF, most people struggle to control depth of field the moment they run out

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sekonic-L758DR-PocketWizards-Nikon-SB800_NikonSB600-Sekonic-RT-32-CTL

Sekonic L-758 with RT-32CTL, PocketWizards & Nikon Speedlights

(This post is exclusively about the Nikon Based Pocktwizard Flex TT5 and MiniTT1 units) In the past Sekonic light meters with transmitter triggers were not capable of triggering PocketWizard mounted remote Nikon Speedlights to output the light values specified by PockeWizard mounted on camera commander units. If one wanted to

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Olympus 75-300mm f/4.8-6.7 II Vs Panasonic 100-300 f/4.0-5.6 OIS

This was a quick and dirty shoot out to determine which of the only two available really long lenses for micro four thirds format was the better performer. After this comparison between the Olympus 75-300mm f/4.8-6.7 II and the Panasonic 100-300mm f/4.0-5.6 OIS, I ended up keeping one of the

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